Friday, November 2, 2012

NANOWRIMO


You may have noticed that it is now the 2nd day of November, and thus the second day of NaNoWriMo!  I have so far written 3,304 words into The Story of Living (I put up a little widget in the side bar where you can keep track of the word amount I am currently at.)

I'm really not sure if I've written anything of quality so far, but that's not the idea of NaNoWriMo. The idea is to write, write, write, for all the month of November. At the end of it we'll all have a first draft of a story, and first drafts are supposed to be bad. (No really, ask any published author and they'll tell you that their first drafts were terrible. It was only after they went about editing and going over their first draft, creating a second and a third draft that the real story began to appear on the page.)

I'm going to continue on with this story, knowing that my characters may change personality several times during the story, that the plot might change into something quite different from what it was to begin with, and I'm not going to edit a bit. Editing is for December. (Did I mention how hard that is?)

I'm going to let my fingers fly across the keyboard without hindering them, and see where I end up.

Now a bit of NaNoWriMo writing music.





Tuesday, October 30, 2012

Thinking of Tomorrow


"Tomorrow," I sigh happily to myself, "Tomorrow is going to be lovely." My thoughts dwell on the many happy little things that will take place tomorrow- and rightly so. Tomorrow is to be full of many lovely things, many blessings and many things to be thankful for, but when tomorrow comes, will I be thinking of these things, or will my mind go yet again to that elusive tomorrow?

Thinking of what tomorrow will bring is a beautiful thing, it is hope. I'm afraid though, that because I'm thinking of tomorrow, I lose track of today, and that's not something I want. With each day I don't want to be longing for the next. Yes, tomorrow will be beautiful, as will the day after and the day after. Perhaps they will contain something I fear, something I dread, or maybe some delightful surprise, but let's think of today.

What little details of today am I missing because my mind is so caught up in tomorrow?

Suddenly I'm realizing how beautiful are the moments that I'm living now, today, this moment. I'm thinking of climbing up on a footstool to put a book away and looking down at all the people contentedly reading across the library. I'm thinking of holding a warm cup of coffee in my hands and knowing I have another ten whole minutes to sit in the car. I'm thinking of leaning back in my chair and twisting the yarn round and round my knitting needles, knowing that there is no reason to rush my project. I'm thinking of those last two pages of my Agatha Christie and how I could read them right now or save them for just the right moment.

Sometimes I think I don't enjoy those moments as I should. I look forward to them, I prattle on about how I can't wait to be doing those things again, but sometimes I overlook those moments because I'm thinking that in ten minutes, in an hour, in a day, I shall need to be doing this or that.

Happiness is often in one's perspective. You could be thinking "I have ten lovely more minutes to sit here sipping my cup of coffee" or you could be thinking "oh dear, I don't think I shall have time to drink my coffee, and it's raining outside, and I have to dash in and now my ten minutes are over." The latter isn't the mindset I want for myself.

Thinking of tomorrow is lovely, there's a lot of things to dream about, but in doing so I don't want to miss out on today.

Today is beautiful.

Wednesday, October 24, 2012

Baking Day

This morning I woke up and made my carrot cake (you know, the one I've been talking about for days on end) and then I was having such fun in the kitchen I decided to make some homemade bread as well. There's really nothing like the smell of homemade bread in the oven (a lovely smell which fills our kitchen as I'm writing this.)

I thought, to finish off my adventures in the kitchen, I should write a post about my baking day.


 
Carrot Cake
(From the Better Homes and Gardens Cookbook)
 
2 cups all-purpose flour
2 cups sugar
1 teaspoon baking powder
1 teaspoon baking soda
1 teaspoon ground cinnamon
3 cups shredded carrot
1 cup cooking oil
4 eggs
 
 In a bowl combine flour, sugar, baking powder, baking soda and cinnamon. Add carrot, oil, and eggs. Beat with an electric mixer till combined. Pour into a greased 13x9 inch baking pan. Bake in a 350 degree oven for 30 to 35 minutes or until a toothpick inserted near the center comes out clean. Let cool. Makes 12 to 15 servings.
 
 
Cream Cheese Frosting
 
6 ounces of cream cheese
1/2 butter (softened)
2 teaspoons vanilla
4 1/2 to 4 3/4 cups sifted powdered sugar
 
In a bowl beat together cream cheese, butter, and vanilla till light and fluffy. Gradually add 2 cups powdered sugar, beating well. Gradually beat in enough remaining powdered sugar to make frosting of spreading consistency. Frost cake. (I topped mine with chopped pecans.)
 
 

Easy No Knead Honey Oat Bread





The other day when I was shelving books at the library I came across a book I thought would go well with this post.
Fannie in the Kitchen

It's really the cutest book. I love the illustrations. You must go look at it.




 










Dear Agatha Christie,


Yours were the first mystery books I was to learn to love. After, I was to discover the appeal of Father Brown, of Sherlock Holmes and Watson, but you were the first. I say learned to love, for, if I remember correctly, my opinion of my first (Elephants Can Remember) was less than favorable. I had enjoyed it, even liked it, but I didn't regard it with any particular degree of fondness. Perhaps this was merely because it was my first; I had never liked books where people died, let alone were murdered, so for me to take a great liking of your books was a bit of a change in tastes.
After I finished Elephants Can Remember I returned it to the library and forgot all about it. That is- until I started hearing your name mentioned again. So I asked around, looked into a few titles that were mentioned to me as favorites, and read The Man in the Brown Suit and The Secret Adversary (I really don't remember which came first) and suddenly I had a list four pages long and was crossing off titles at a mad pace. Needless to say, those two titles remain high among my favorites to this day. Especially The Secret Adversary, which I would really consider my favorite among them all.
Now, some fifty plus books later, I would mention you among my favorite authors. It is still my goal to read all of your books and I have a consistent stack of three hanging about in my bedroom and various canvas bags. I suddenly discovered how much I liked reading mysteries, contemplating the characters, motives and opportunities. I'm still not overly fond of the type of book that focuses on the death, but the thing that I have noticed about your books is that you do not focus on the death, but more on the lives surrounding that death. I think I remember a few scenes in various Poirot books where he says something to that affect, about how his aim is not to condemn the guilty but to save the innocent.
Of course, the problem with mysteries is I find myself getting very cautious about giving my affection to any one of your characters. Or if I do, I end up feeling torn the entire book, thinking oh please don't let my darling be killed, oh please don't let my darling be killed. Or worse, OH PLEASE DON'T LET MY DARLING BE A MURDERER. OH PLEASE. THEY'RE GOOD. GOOD. PLEASE. Which really isn't the most relaxing way to read a book, but oh the relief if your character comes out safe and happy and proven the good person you always knew they were!
Aside from all my love for you as a reader, as a writer (or as someone who hopes to be a writer) I am constantly in awe of you. My question is, how, how, did you ever manage to write so many? To come up with that many different plots, all of which succeed in fooling me. (Or if they don't fool me, I'm always exceedingly proud of myself for having figured them out.)
I know that I shall continue to love your books for years to come. Someday I shall have read them all, and then, I suppose start back at the beginning again, because by that time I'd have sure to have forgotten parts of the ones that I had read first.

With love, Emily

Tuesday, October 23, 2012

Dear Elizabeth Gaskell,

It is the very farthest thing from my intent, dear Mrs. Gaskell, to rebuke you for anything that you could not help. Indeed, I wish not to rebuke you, for I am most assured that if you could have helped it, you would have done your very best to do so. Thus, it is with much regret I state the cause of my great sorrow, knowing it to be something you could not alter or change.
I know you did not mean to die before you had finished the last words of Wives and Daughters. I know it to be something that was far from intentional, and it was not with the intent of vexing me that you did so. In fact, I fully realize that it is most self absorbed of me to be carrying on about my sorrow when I really ought to be speaking of the sorrow of your family, or of you yourself. I'm sure it wasn't entirely pleasant for you.
You see, though, my sorrow is the sorrow of all of your readers. We laughed, we cried, we knew just how you were intending to end it, but we were never to have that satisfaction of reading that ending in your own words. We were never to have the satisfaction of closing our copies with a happy sigh, knowing that all was right with our world.
We were left waiting with Molly, waiting for it to turn right, waiting for news of Roger- waiting. I think very few of us had any doubt how our story would turn out, we knew from the very beginning that Roger and Molly were meant to be together- but our story was left in silence.
I rather wonder how many readers, after their first heartbreak of unfinished story, were driven to resort to desperate measures; writing a sadly insufficient ending but satisfactory in as much that it was an ending. My own was scribbled on a few pages of notebook paper, in a factual and rather bare style, exactly what was needed for an end. A properly sentimental treasuring on Roger's part of a rose, a happy ending for those characters who needed one, and a brief mentioning of those characters who needed an ending, but who we did not wish the fullness of happiness to. After that I felt that I could move on, with only a few looks of regret at that unfinished story.
North and South has one of my favorite endings of all time, and I can only imagine Wives and Daughters' unwritten ending with regret.
I really do need to be rereading both North and South and Wives and Daughters sometime soon. It's been far too long since I've read either. Though of course, I always end up crying over both. Choosing between them I would have to say that Wives and Daughters is my favorite. I love North and South, with an especial fondness in my heart for some certain scenes, but Wives and Daughters can't help but be my favorite. Perhaps because I have more love for Molly than Margaret.
I've been meaning to find more of your books, besides those two, that will have to come next of my rather lengthy reading list. You were the author who brightened my life after I was in that "there are no more Jane Austen novels left to read" state of despair.

Much Love,
Emily

Monday, October 22, 2012

Of Knitted Dolls and Carrot Cake

I'm thinking...

At the moment I'm hiding from the morning. You might think this an impossible task, and indeed I have suspicions that while I might be fooling myself, I'm certainly not fooling anyone else, yet, still, I can't really persuade myself that it is a bad plan. I have hidden myself away from the alarm clock's persistent noise, away from the cold cold air and the horrid sunshine (not that I mean to say I dislike sunshine- I just find it entirely too cheerful in such trying times) and I'm feeling rather successful in my attempt at convincing myself that it is not morning. However, I cannot be wholly successful in this attempt, as proven by the mere fact that I am writing this rather than sleeping. As far as plans go I believe this one is as good a one as any to awaken me sufficiently to acknowledge that I must brave the cold air and get out of bed, but for the moment I shall continue to write on and hide myself away from the world under a thick quilt.
I can't quite believe it is Monday morning. How quickly days go, don't they? Really though, yesterday and the day before were just lovely days. We set out adventuring to see what we could see, and found ourselves in a set of lovely rooms looking out and across the bay to Canada. (a quick moment of recognition for the kisses blown across the wind to Canada. Really, we love Canada.) We explored the hotel, avoiding coming across the wedding group in their finery whilst attired in swimming wear. We skipped across the docks outside the hotel and danced under the billowing silken tent. We sprawled out on the couch and floor to watch the new Spider Man movie (which I enjoyed immensely. I've decided that it's now my third favorite superhero movie. I like the Avengers the very most, and then I think I like Iron Man, but after that I would say I liked The Amazing Spider Man.) In the morning we ate eggs and pancakes at a little diner (most notable for the bright yellow seat cushions and vintage signs hung willy nilly about the wall) and suddenly we were on our way home with the weekend over and done. (of course, it didn't happen so quickly as that and we had numberless wails of hunger and boredom to combat, and whist saying the rosary Ella struck up such a wail it was like praying in a hurricane.
Here we are though, safe and sound and ready to start Monday morning! Out of bed one goes and down the stairs to make some coffee.

From the kitchen...

I am fully confident that I could survive a diet of bread, butter and potatoes (just thinking ahead in case the world food supply is demolished and I need a plan. If necessary I could do away with the bread- all right the butter too since that's rather a luxury but GET THE POTATOES. If the potatoes die, I do to. Why am I not Irish?) That is, you see, what I meant to say was "I had bread and butter for breakfast this morning."

Did I mention I'm going to be making carrot cake today? I'm rather excited if you couldn't tell. I've been thinking about carrot cake for days now.

I'm creating...

My knit doll (See This Post)

She's actually almost finished. I have yet to embroider the eyes and mouth, finish knitting half an arm and sew both arms to her torso, but all in all she's almost finished.

The blue/green yarn I'm going to knit into a dress for her. Isn't it lovely? It's also very soft.





 
I've also been working out a synopsis for my NaNoWriMo story (TEN DAYS BEFORE IT STARTS) Perhaps I'll get it worked out and post it in say three days, a week before the actual challenge begins. Yes, that seems like a rather good idea.
 
I'm listening to...
 
A boy whistling, a chair moving across the floor (controlled I presume by the boy who is whistling) and some discussion going on about maps.
 
One of my favorite things...
 
Baking. (Did I mention I was making carrot cake today? Carrot cake with cream cheese frosting.) I'm also feeling in the mood to make bread, but I'm not sure if that will happen today.
 
Around the house...
 
I think I need to find some warm socks and a sweater, it's rather cold this morning.
 
Picture thoughts I'm sharing...
 
 
 
 
 
I liked this quote so I wanted to add it to this post
 

 
 
 
 
 


Tuesday, October 16, 2012

The Lady of Shalott

 
By Alfred Lord Tennyson

Part I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the field the road runs by
To many-towered Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veiled
Slide the heavy barges trailed
By slow horses; and unhailed
The shallop flitteth silken-sailed
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?            
Or is she known in all the land,
The Lady of Shalott?
 
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to towered Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers "'Tis the fairy
Lady of Shalott."
 
 

Part II

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot: 
There the river eddy whirls,
And there the curly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-haired page in crimson clad,
Goes by to towered Camelot;
And sometimes through the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
 
But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
"I am half sick of shadows," said
The Lady of Shalott.
 
 

Part III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling through the leaves, 
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneeled
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glittered free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazoned baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewelled shone the saddle-leather,
The helmet and the helmet-feather
Burned like one burning flame together,
As he rode down to Camelot.
As often through the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
 
His broad clear brow in sunlight glow'd;  
On burnished hooves his war-horse trode;
From underneath his helmet flowed
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lira," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.



Part IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over towered Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
            The Lady of Shalott.
 
And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance —
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
 
Lying, robed in snowy white
That loosely flew to left and right —
The leaves upon her falling light —
Through the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
 
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turned to towered Camelot.
For ere she reached upon the tide 
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
 
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."